martin hurkens

求Max Martin制作的音乐 越多越好

提示：

求Max Martin制作的音乐 越多越好

MAX MARTIN,他可是2000年左右欧美流行音乐业内最NB的音乐制作人了,他曾经给无数大牌明星制作过音乐.包括ACE OF BASE,BON JOVI,CELIEN DION,FIVE,BSB,WESTLIFE,NSYNC,BRITNEY SPEARS等等
尤其是给后街男孩还有布兰妮(后街还有BRITNEY的主打歌和好听的歌都是他制作的),可以说,BSB BRITNEY完全是因为MAX MARTIN的大力制作才得以如此出名,所以N SYNC也借了MAX MARTIN的光,他们的第二张专集里,BYEBYEBYE,IT IS GONNA BE ME,还有I'LL NEVER STOP都是MAX MARTIN做的,随着01年底,MAX MARTIN所在的CHEIRON工作室解散,他最后给我们留下的就是BSB的,BRITNEY的第二张专集,还有就是NSYNC的CELEBRATION,其中只有两首是MAX MARTIN写的:THAT GIRL WILL NEVER BE MINE和JUST DONT TELL ME THAT.
最后请记住MAX MARTIN的这个风格的名字:TEEN POP


还找到一些英文的介绍,如下：
Martin "Max Martin" Sandberg (born February 26, 1971) is a Grammy-nominated, Swedish pop/dance music producer and songwriter. He was born in Stockholm, Sweden and is best known by his artistic name Max Martin. As a producer and songwriter, he crafted a string of worldwide hits for pop-artists like the mega boy bands Backstreet Boys, *NSYNC, Pop princess Britney Spears and Swedish starlet Robyn, among many others, in the mid '90s to mid 2000s. His trademark is a bouncing, piano/synth-heavy bubble-gum pop sound that takes influence from Europop and Italian House and mixes it in with classic American Bandstand pop arrangements. However, with Kelly Clarkson's hits "Since U Been Gone" and "Behind These Hazel Eyes", which propelled Max back into the spotlight in 2004, he had managed to reinvent himself with a fresh rock sound.

Musical career and personal life

Early life and career

Martin Karl Sandberg grew up in Stenhamra, Ekerö Municipality, a suburb of Stockholm. As a teenager he sang in several bands before joining a glam-style metal band called It's Alive in 1985 as their singer and frontman. It's Alive were formed by ex LAZY members Per Aldeheim and Kim Björkgren on guitars, and John Rosth who had been a member of "Lineout". Martin eventually dropped out of high school to pursue a career in music with his band under the nickname "Martin White". In 1988 they participated in the national rock championships and also played as the in-house band at a disco in Cyprus. The band got a breakthrough in 1991, as Dave Constable of Megarock records offered them to make a demo-record. The later debut album was originally pressed in 1000 copies and later on given away as a free cover tape in the UK by the Metal Forces magazine.

The decision to focus on a music career paid off as they landed a record deal on producer Denniz Pop's label Cheiron Studios, a BMG affiliate. After recording their second album Earthquake Visions, they released three singles in conjunction with the record (including "I'm Your Man" which featured the bonus cut of a cover of KISS' "Parasite") and toured through Europe in 1994 supporting Kingdom Come. Earthquake Visions eventually sold a disappointing 30,000 copies, despite being released in as many as 30 countries. More importantly though, Martin also began collaborating on songs with Pop. Recognising a talent for writing pop songs in the young rocker, Pop renamed his new charge Max Martin and eventually became Martin’s mentor.

Working at Cheiron

In 1992 Martin was hired by Cheiron Studios as a producer and spent some time learning the basics, before the first production collaboration between Pop and Martin with the Rednex track "Wish You Were Here" in 1995. They both worked on Ace of Base's second album The Bridge shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including two million in the United States (which still was a far cry from the 21 million copies of the band's previous album, Happy Nation/The Sign). When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson.

In 1996 Cheiron Studios was hired to work on Backstreet Boys's debut album Backstreet Boys. Martin was part of the production of "Quit Playing Games (With My Heart)", a single which quickly went platinum and climbed to #2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" and "Everybody (Backstreet's Back)" (interesting to note, the latter sounds remarkably like classic It's Alive). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year Martin also co-produced Robyn’s hit "Show Me Love" which ended up on the Billboard top 10.

In 1998 Cheiron Studios worked on albums by 5ive, *NSYNC, Bryan Adams and Jessica Folcker. Jessica Folcker was engaged as a backing singer for Ace of Base and Dr. Alban when she started working with Martin, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz Pop died of cancer that summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who has been his partner since. A few months after he started working with Rami; he also started to team up with Jay Orpin in late 1998 to start production of Backstreet Boys' next album Millennium.

Backstreet Boys and Britney Spears

1999 was a very big year for Martin. First off, he wrote, co-wrote and co-produced 7 songs out of 12 on the album Millennium by Backstreet Boys and he gave its unique, surreal sound to it.[citation needed] "I Want It That Way", written and co-produced by Martin, became the Backstreet Boys's biggest single to date and it is still popular and timeless today ("I Want It That Way" was voted #10 in the MTV/Rolling Stone list of the "100 Greatest Pop Songs."). Millennium sold over 1.1 million units in its first week in the United States, setting a record for most albums sold in its debut week (that record was later beaten by the bands next album Black & Blue), and was the No.1 best selling album in the world in 1999.

The same year, Martin also wrote the Britney Spears' 1998 international hit "...Baby One More Time" for her debut album with the same name (the hit single was originally offered to the group TLC to record, which they passed on because they were 'taking time off'). Both albums Millennium and ...Baby One More Time have sold around 13 million copies each in the U.S. to this date, certifying Diamond Status. Also, within a year of its release, ...Baby One More Time had become the best-selling LP by a teenager in history and the debut hit single remains to be Spears' biggest U.S. (and international) hit to date. Martin was the first non-American citizen ever to win ASCAP's prestigious award "Songwriter of the year" in 1999.

When working on her own solo album to be released in 2001 on Stockholm Records, Lisa Miskovsky wrote the text for Backstreet Boys new hit single "Shape of My Heart" with Max Martin and Rami. The song, originally written for Miskovsky’s own album, was passed along to Backstreet Boys by Max Martin when Miskovsky determined it didn’t fit her style. The song became the first single off the new album Black & Blue by Backstreet Boys. In the first week of release, "Shape of My Heart" immediately jumped into the Top Five in Sweden (#1), Norway (#1), Canada (#1), Germany (#2), Switzerland (#4), Austria (#5) and Holland (#5). Black & Blue, containing several songs produced and written by Martin, sold 1.6 million units in its first week in America. Martin again received ASCAP's award "Songwriter of the year" both in 2000 and 2001, and is the first ever to receive the award three years in a row.

Producer role at Cheiron

The producers at Cheiron had almost the opposite of the producer role of the late '60s, when an artist would write the songs and then hire a producer to help shape the sound. At Cheiron the producers wrote the songs, played the instruments, engineered and mixed the recordings and the artist was only brought in near the end of the process. For example, on Britney Spears second album Oops!... I Did It Again, Cheirons had already written seven songs and had proceeded to record the layers of music before Britney even arrived at the studios. It took her only one week to do the vocals. Martin and his team work more like a band that alternates singers, and he explains his working method as:
“ I want to be part of every note, every single moment going on in the studio. I want nothing forgotten, I want nothing missed. I'm a perfectionist. The producer should decide what kind of music is being made, what it's going to sound like--all of it, the why, when and how. - LA Times, 6/05/00 ”

Startup of Maratone

Despite the success, Cheiron Studios was closed down in 2000. The reason behind the decision to close it down was, according to the press release on their homepage, that the heart and soul of the studio had been lost with the death of Denniz Pop. Another reason for closing the studio down was for the people at Cheiron Studios to be able to do more experimental music work without the weight of the now infamous name Cheiron upon their shoulders.

Max Martin and Tom Talomaa started a new production company together named Maratone in January 2001. Also, David Kreuger and Per Magnusson started 'A Side Productions' and Kristian Lundin started the production-company The Location and the publishing-company Location Songs together with Jake Schulze and Andreas Carlsson (both also members of Cheiron's production team) at the same location as Cheiron Studios. The first songs to be written and produced at Maratone were four tracks for Britney Spears´ third album Britney. The Maratone production crew now consists of producers/songwriters Max Martin, Rami, Alexandra and Arnthor. Following the work with Celine Dion on the album One Heart in 2003, few new hits appeared from Maratone until 2005.

Present - Kelly Clarkson goes to Sweden

In 2004 Kelly Clarkson, the former American Idol winner, went to Sweden to collaborate with Max Martin and Lukasz "Dr. Luke" Gottwald on songs for her album Breakaway. They decided to make songs that were rockier than anticipated by the fans, as can be heard on the hit singles "Since U Been Gone" and "Behind These Hazel Eyes". "Since U Been Gone" became a huge hit and remains the biggest hit of Clarkson's career, and one of the biggest hits of 2005. The next single "Behind These Hazel Eyes" actually reached the top-ten of the Billboard Hot 100 while the single "Since U Been Gone" was still there.

In 2005 Martin collaborated on 4 of the 12 songs on Backstreet Boys' comeback album Never Gone, including "Climbing The Walls", "Just Want You To Know", "Siberia" and the melancholy love song "I Still...", a trademark song for the Backstreet Boys. Martin wanted the album to be more of contemporary, alternative pop album with a little R&B. The result album was a more organic music style with more live instruments, and a departure from The Backstreet Boys' earlier work. The same year, Martin also co-produced Swedish singer Darin Zanyar's first album, and wrote and produced songs for P!nk's fourth album I'm Not Dead, and newcomer Megan McCauley's album on Wind-up records, again working together with Lukasz Gottwald.

Currently rumours are that Martin and Dr. Luke are currently or soon-to-be writing songs for Britney Spears' fifth studio album scheduled to be released in 2007.[citation needed] Martin has previously worked with Spears on her first three studio albums which are high in teen-orietned pop, however in 2003's In the Zone album by Spears, (considered to be a very sexual album with less Dance-pop and more in dance, R&B and Hip-hop.) Martin was no where to be seen in any of the song writing. This rumour, if confirmed will mean Spears and Martin will work together for the first time in nearly 6 years for a studio album. This move for Spears to write with Martin is probably due to the fact that Spears doesn't sing bubble-gum pop or teeny-bopper pop any more (referring to when Martin wrote for Spears' first two albums) and recent song writings of Martin have been more dance-orietned pop and Pop/Rock (Kelly Clarkson & P!nk) and very successful on the charts.

QQ空间里的手中沙的歌曲的名字还有 马丁.路瑟.金MARTIN LUTHER.KING

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QQ空间里的手中沙的歌曲的名字还有 马丁.路瑟.金MARTIN LUTHER.KING

第一个问题 我只有MP3文件~你要的话可以加我QQ 21755807 也可以点下面的地址下载~绝对没错~因为我自己也找了好久才找到~~~
下面是我自己建的个HTTP下载地址
由于是在自己机子用小工具建的HTTP服务器所以下载速度慢~请谅解~早上8点到晚上10可以下载~~其他时间寝室要停电不能下~ ^_^ ~~用IE下会出现乱码~所以请用迅雷直接下载~~
http://yxxing25.oicp.net/04.mp3

第二个问题

马丁·路德 事件事件

马丁·路德是十六世纪德国宗教改革运动的发起者，新教路德宗的奠基人。

1483年11月3日，马丁·路德出生在德意志东部的一个小山村。

那时的德国，经济比较发达，地理位置重要，商业比较繁荣。但与西欧各国相比，它的经济有一个致命的弱点，就是分散性，缺乏统一的国内市场。经济的分散性加剧了政治上的分裂割据状态。政治经济互为因果，恶性循环，导致国内一片混乱。天主教会借机扩大自己的影响，僧侣们无恶不作，整个国家处于一片“混沌”状态。

少年时的马丁·路德目睹了天主教会的腐败糜烂，便下定决心要进行宗教改革。大学毕业以后，他在父母亲朋诧异的目光中“遁入空门”——进入雷尔福特圣奥古斯丁修道院当修士，他在那里学习神学，并且洁身自律。1508年他成为维登堡大学的神学教授。教皇和天主教会的腐败奢侈，日益坚定了他进行宗教改革的决心。他开始着手创建自己的宗教学说——“因信称义”说。他认为一个人灵魂的获救只须靠个人虔诚的信仰，根本不需要什么教会的繁琐仪式。这就从根本上否定了教会和僧侣阶层的特权。

1517年，为反对教皇利奥十世借颁发赎罪券盘剥百姓，路德在维登堡大教堂门前贴出了“关于赎罪券效能的辩论》（即九十五条论纲）。《论纲》所引起的强烈反响，甚至出乎路德自己的预料。社会各阶层都对《论纲》表现出浓厚的兴趣。可以说《论纲》点燃了第一次德国资产阶级革命——宗教改革的火焰。路德一下子成为德国全民族的代言人，各阶层的热烈支持，使路德走上了同罗马教庭彻底决裂的道路。

1519年，罗马教会的神学家约翰·艾克同马丁·路德在莱比锡展开了大论战。在路德唇枪舌剑、咄咄逼人的攻势之下，约翰·艾克狼狈不堪地败下阵去，这场大辩论无疑成为路德宗教改革生涯中的一次重大转机。

1520年是宣场路德学说最火的一年。那一年共出版德文书籍、文章208册，其中路德的著作有133册之多。被称作宗教改革三大论著的《致德意志贵族公开书》、《教会被囚于巴比伦》、《基督徒的自由》都发表在那一年。在这些著作中，路德的攻击予头并非指向某一教皇或教庭的奢侈腐败，他矛头所指是整个封建神权政治。他的学说从根本上否定了中世纪的教阶组织，否定了奴役人们的圣礼制度和教会法规，提出建立与资本主义发展相适应的资产阶级廉俭教会，并在宗教理论上以资产阶级自律的宗教取代了封建主义他律的宗教。

这一切点燃了下层人民的热情之火，呼出了人们的心声。人民拥戴路德，以教皇为首的教会人员却对路德恨之入骨。1520年10月，教皇下诏书，勒令路德在60天之内悔过自新，否则将开除他的教籍，路德面对威逼利诱毫不动摇，在拥护者的赞美声中把教皇的诏书付之一炬。路德的反抗行动进一步划清了自己同教会的界限，同时也极大地鼓舞了德意志和西欧各国的人民，他们更加崇敬路德，也更加向往宗教改革。可以说由路德点燃的宗教改革之火在西欧各国已成燎原之势。

面对这种可怕的局面，教皇有些慌了手脚，只好一再敦促德皇查理五世为路德定罪。德皇终于决定于1521年4月17—26日，在沃尔姆斯召开帝国会议，为路德定罪，给这样一个叛经离道的叛逆者以惩诫，同时也要给路德的拥护者们表演一次杀鸡儆猴的把戏。路德并没有被教皇的淫威吓倒，他昂首挺胸地到达沃尔姆斯，在帝国会议上据理力争，毫不让步。他声称“我坚持己见，决无反悔！”这掷地有声的话语，充分表达了当时德意志人民要求摆脱罗马教庭控制的强烈愿望和坚定信心。

查理五世、教皇等一帮人无计可施，只好蛮横地对路德进行人身迫害，宣布路德为不受法律保护的人。路德无法立足，只好隐居到瓦特堡，从事圣经翻译。

路德并没有沉寂下去。他选择的圣经翻译工作有着不可估价的积极意义。

1543年，路德翻译的德文圣经面世了，海涅认为路德对圣经的翻译是“创造了德语”。路德所译的圣经是依照着未经后世篡改的希伯莱文和希腊文原本。他的翻译为人民提供了对抗天主教会的思想武器。从另一种意义上说，他译的圣经使用的是德国语言，这种统一的语言成为联系德意志各邦的重要纽带。

但路德不能代表人民。当德国农民要把宗教改革变成一场推翻现存剥削制度的政治革命时，路德退缩了，最后走向背叛，成为世俗统治者的代言人。他先写了《劝基督徒勿从事叛乱书》，又开始回维登堡讲道，平息骚乱，最后写了《反对杀人越货的农民暴徒书》。他对待农民起义的态度由劝抚、调解到力主镇压。后来又叫嚣“无论谁，只要力所能及，无论是暗地里也好公开地也好，都应该把他们戳死，扼死，刺杀，就象必须打死疯狗一样！”丑恶狰狞的面目暴露无遗。路德彻底脱离了人民，路德教在德国蜕变成为世俗诸侯的工具。以路德为代表的市民阶级温和的宗教改革运动，仅在宗教形式上进行了一些改革。恩格斯说“路德不仅把下层人民的运动，而且连市民阶级的运动也出卖给诸侯了”。

1546年2月，路德死于出生地艾斯勒本，享年63岁。路德一生功过参半。他所发起并领导的宗教改革运动席卷整个欧洲，永久性地结束了罗马天主教会对于西欧的封建神权统治。

他的宗教学说为新兴资产阶级提供了革命的思想武器。恩格斯认为路德是他那个时代的巨人，他无愧于这一光荣。